Showing Records: 1 - 20 of 118
A Dialectic Of Centuries 2nd Edition / Higgins, Dick ; Acconci V ; Klintberg B ; Arp H ; Ashbery J ; Ay-O ; Ball H ; Barthes R ; Beckett S ; Bense M ; Brecht G ; Bremer C ; Burroughs WS ; Cage J ; Chopin H ; Corner P ; Creeley R ; cummings ee ; DeCampos A ; DeCampos H ; Duchamp M ; Elmslie K ; Ernst M ; Filliou R ; Finlay IH ; Flynt H ; Gaul W ; Gillespie AL ; Glass P ; Gomringer E ; Gysin B ; Hanson A ; Hausmann R ; Heartfeld J ; Heidsieck B ; Herman J ; Herbert G ; Higgins D ; Ionesco E ; Ives N ; Jacob M ; Jarry A ; Johnson R ; Joyce J ; Kaprow A ; Knowles A ; Klein Y ; Kosugi T ; Lamantia P ; Lax R ; levy da ; Lebel JJ ; Lichtenstein R ; LeWitt S ; Lissitzky E ; Maciunas G ; MacLow J ; Mallarme S ; Mayakovsky V ; McLuhan M ; Mayer HJ ; Moholy-Nagy L ; Mon F ; Morgenstern C ; Niikuni S ; Ono Y ; Paik NJ ; Patterson B ; Phillips MJ ; Pignatari D ; Ponge F ; Pound E ; Rauschenberg R ; Reich S ; Rimbaud A ; Roth D ; Rothenberg J ; Ruhm G ; Saroyan A ; Schmit T ; Schwitters K ; Shiomi C ; Smithson R ; Solt ME ; Spoerri D ; Stein G ; Stockhausen K ; Topor R ; Vostell W ; Warhol A ; Watts B ; Williams E ; Noel A ; Williams J ; Wittgenstein L ; Wolff C ; Yeats W ; Young L., 1978
Item
Identifier: CC-53598-58268
Scope and Contents
The chapters consist of the following: 1). The post-cognitive era: looking for the sense in it all. 2). Five traditions of art history. 3). Intermedia. 4). Some poetry intermedia. 5). Games of art. 6). Exemplative works of art. 7). Intending. 8). Against movements. 9). Boredom and danger. 9). Structural researches. 10). Seen, heard and understood. 11). Towards an allusive referential. 12). Blank images. 13). Innovation. 14). Inventing our back pages. 15). Styles in cognitivism. 16). A something else manifesto. 17). On doing too much. 18). About Bern Porter and his 'I've left'. 19). Why Gertrude Stein. 20). Getting into Emmett William's poetry. 21). Conceptual forks. 22). A commentary by the poet on 'conceptual forks'. 23). An exemplativist manifesto. -- Source of annotation: Marvin or Ruth Sackner.
Dates:
1978
Anthology / Levine, Les, editor; Denby E; Berkson B; Ashbery J; Acconci V; Williams E; Perreault J; Schjeldahl P; Waldman A; Saroyan A; Giorno J; Koch K., 1968
Item
Identifier: CC-43811-45907
Scope and Contents
This work consists of poems embossed on clear celluloid by various writers. One of the prints is a version of Aram Saroyan's "eyeye." The tirage is unknown. Born in Dublin, Les Levine attended art school in London and emigrated to Canada in 1958. Levine began working in New York in the early sixties and is one of the first artists to be known as a "media artist." His first videotapes were produced in 1964. Since the, he has had over 100 exhibitions in the United States and has participated in such groundbreaking international exhibitions as Documenta 77. His work has been collected by most major contemporary art museums. Levine's most famous projects include his Irish-Jewish Canadian restaurant (New York, 1969), his imaginary "Museum of Mott Art" and his billboards with the slogan "Sex Won't Save You." Levine has been called the founder of media art, but his intent has been to question societal and cultural norms in innovative ways rather than to simply advance the use of...
Dates:
1968
Apotheosis of Terry Fox for Vito / Hendricks, Geoff; Fox T; Acconci V., 1971
Item
Identifier: CC-49940-70998
Dates:
1971
Apr / Bound & Unbound ; Acconci V ; Antin E ; Arman ; Ay-O ; Reichardt J ; Houedard DS ; Beuys J ; Boetti A ; Brecht G ; Cage J ; Darboven H ; Fahlstrom O ; Gerz J ; Gonzalez-Torres F ; Indiana R ; Johnson R ; Kaprow A ; Maciunas G ; Bleus G ; Merz M ; Oldenburg C ; Ono Y ; Paolozzi E ; Roth D ; Tuttle R ; Weiner L ; Nannucci M ; Wool C., 1998
Item
Identifier: CC-32409-33981
Dates:
1998
Art and Text / Beech, Dave ; Harrison, Charles ; Hill, Will ; Acconci V ; Apollinaire G ; Art & Language ; Auerbach T ; Baldessari J ; Banner F ; Barry R ; Bing X ; Breakwell I ; Burgin V ; Bochner M ; Creed M ; Crotty R ; Darboven H ; Davies P ; Downsborough P ; Fulton H ; Gillick L ; Higgs M ; Hill G ; Hiller S ; Jaar A ; Kopystiansky S ; Kosuth J ; Kruger B ; Kuitca G ; Landers S ; Latham J ; Lewty S ; Ligon G ; Lissitzky E ; Long R ; Lum K ; Mallarme S ; Merz M ; Marinetti FT ; Monk J ; Mullican M ; Neshat S ; Patterson S ; Pettibon R ; Phillips T ; Plensa J ; Prince R ; Raad W ; Rosen K ; Rosler M ; Ruppersberg A ; Ruscha E ; Schneemann C ; Schwitters K ; Shelley W ; Smith B ; Smith R ; Smithson R ; Spero N ; Twombly C ; Warhol A ; Weiner L ; Wool C ; Hulusi M ; Pierson J., 2009
Item
Identifier: CC-53754-642830
Scope and Contents
This book was edited by Aimee Selby. Two works of Tom Phillips held by the Sackner Archive are depicted in this book: the Painting 'Here We Exemplify' on page 18 and the print of the Humument Page 6 drawing on page . -- Source of annotation: Marvin or Ruth Sackner.
Dates:
2009
Art and Text / Selby, Aimee, editor ; Acconci V ; Anderson L ; Apollinaire G ; Art & Language ; Artschwager R ; Atkinson T ; Auerbach T ; Ball H ; Balla G ; Banner F ; Barry R ; Barthes R ; Beech D ; Bing X ; Boccioni U ; Bochner M ; Borges J ; Braque G ; Breakwell I ; Breton A ; Burgin V ; Burroughs WS ; Cage J ; Carroll L ; Chopin H ; Cobbing B ; Crotty R ; Darboven H ; Delaunay R ; Depero F ; Derrida J ; Dine J ; VanDoesburg T ; Duchamp M ; Emin T ; Eno B ; Finlay IH ; Fulton H ; Gillick L ; Gonzalez-Torres F ; Gordon D ; Grosz G ; Gysin B ; Haacke H ; Hausmann R ; Heartfeld J ; Hennings E ; Herbert G ; Herrick R ; Higgins D ; Hill C ; Hill G ; Hirst D ; Hoch H ; Hockney D ; Holzer J ; Houedard DS ; Huelsenbeck R ; Jaar A ; Janco M ; Johns J ; Joyce J ; Kaprow A ; Kawara O ; Kelly M ; Klee P ; Kopystiansky S ; Kosuth J ; Kruger B ; Kuitca G ; Latham J ; Lewis WP ; LeWitt S ; Lewty S ; Ligon G ; Lissitzky E ; Long R ; Lum K ; Lupton E ; Magritte R ; Mallarme S ; Marin J ; Marinetti FT ; Mayakovsky V ; Merz M ; Miller A ; Monk J ; Morris R ; Morris W ; Mullican M ; Neshat S ; Nuttall J ; Patterson S ; Pettibon R ; Phillips T ; Picabia F ; Picasso P ; Prince R ; Richter H ; Rimbaud A ; Rivers L ; Rosen K ; Rosler M ; Ruppersberg A ; Ruscha E ; Schneemann C ; Schwitters K ; Severini G ; Shaw J ; Shelley W ; Siegelaub S ; Sietsema P ; Smithson R ; Spero N ; Steinitz K ; Stella F ; Themerson S ; Tobey M ; Twombly C ; Tzara T ; Urquhart J ; Warhol A ; Weiner L ; Wentworth R ; Werkman HN ; Williams E ; Williams WC ; Wittgenstein L ; Wool C ; Davies P ; Hiller S ; Raad W ; Smith B ; Smith Ro ; Plender O., 2009
Item
Identifier: CC-50435-71503
Scope and Contents
The use of written language has been one of the most defining developments in visual art of the twentieth century. 'Art and Text' is a unique and timely survey of this most contemporary and relevant artistic tool, tracing the relationship between language and art, from early experiments with pictorial poetry, Futurist typography and Cubist collage, through Conceptual practices to the present day...'Art and Text' documents and contextualises the fascinating relationship between word and image, showcasing the many artists who continue to use text and expand its possibilities. The book contains an forward and three essays. In the first essay, The Schwitters Legacy: Language and Art in the Early Twentieth Century by Will Hill, the author uses the reproduction of the painting "Here We Exemplyfy" by Tom Phillips which is held by the Sackner Archive. Hill writes that Larry Rivers, Jim Dine and Jasper Johns use of stencilled letters "prefigured the finely articulated dialogue between word...
Dates:
2009
Art Basel / Miami Beach / Acconci V ; Anderson L ; Andre C ; Arman ; Art & Language ; Banner F ; Bartlett J ; Basquiat JM ; Ben ; Bing I ; Bloom B ; Boetti A ; Boltanski C ; Broodthaers M ; Bruly-Bouabre F ; Brus G ; Carra C ; Chashnik IG ; Conner B ; Crotti J ; Darboven H ; Delaunay S ; Duchamp M ; Ernst M ; Erro ; Finlay IH ; Friedman T ; Goldsmith K ; Goncharova N ; Grosz G ; Hains R ; Hansen A ; Holzer J ; Horn R ; Jorn A ; Jensen A ; Janco M ; Johns J ; Kabakov I ; Kawara O ; Kippenberger M ; Klee P ; Klucis G ; Kolar J ; Kosuth J ; Kruger B ; Kuitca G ; Larionov M ; Lebel JJ ; Leger F ; Leirner J ; Lipski D ; Lissitzky E ; Malevich K ; Ray M ; Manzoni P ; Martin K ; Michaux H ; Neshat S ; Oldenburg C ; Ono Y ; Picabia F ; Popova L ; Rauschenberg R ; Reinhardt A ; Rodchenko A ; Roth D ; Rozanova O ; Ruscha E ; Schendel M ; Schwitters K ; Severini G ; Spoerri D ; Sprinkle A ; Steinberg S ; Stepanova V ; Suetin N ; Survage L ; Tapies A ; Telingater S ; Tobey M ; Tomaselli F ; Tunga ; Tuttle R ; Twombly C ; Udaltsova N ; Warhol A ; Weiner L ; Wiley WT ; Solar X ; Young P ; Zush., 2001
Item
Identifier: CC-42703-44722
Scope and Contents
The paper strip on the cover notes that the annual art event was postponed until 2002 because of the events of September 11, 2001. -- Source of annotation: Marvin or Ruth Sackner.
Dates:
2001
Artists Books and Periodicals / Sims Reed ; Acconci V ; Mayer B ; Piper A ; Atkinson T ; Baldwin M ; Broodthaers M ; Brouwn S ; Buren D ; Finlay IH ; Costley R ; Young L ; Graham D ; Kippenberger M ; Kosuth J ; Messager A ; Nauman B ; Roth D ; Ruscha E ; Walther E., 2014
Item
Identifier: CC-58618-10001849
Dates:
2014
Artists Books Multiples Prints / Sims Reed ; Sackner MA ; Sackner RK ; Acconci V ; Art & Language ; Baldessari J ; Beuys J ; Boltanski C ; Broodthaers M ; Brouwn S ; Brus G ; Buren D ; Darboven H ; Duchamp M ; Gomringer E ; Finlay IH ; Johns J ; Beckett S ; LeWitt S ; Ono Y ; Roth D ; Ruhm G ; Ruscha E., 2014
Item
Identifier: CC-59717-10002775
Scope and Contents
The Sackner ARchive catalog printed in 1984 is listed at 1250 pounds equivqlent to $1250.The end papers are computer printouts from Kein Fehler Im System. -- Source of annotation: Marvin or Ruth Sackner.
Dates:
2014
Artists' Magazines: An Alternative Space for Art / Allen, Gwen ; Acconci V ; Mayer B ; Abramovic M ; Altmann R ; Andre C ; Antin D ; Art & Language ; Artpolice ; Aubertin B ; Baldessari J ; Balthazar A ; Banana A ; Bann S ; Baroni V ; Bee S ; Berman W ; Bertini G ; Beuys J ; Blaine J ; Bochner M ; Bory JF ; Bronson AA ; Broodthaers M ; Brus G ; Burroughs WS ; Cage J ; Carrion U ; Castro L ; Celant G ; Cherches P ; Chopin H ; Clark L ; Clavin H ; Coleman V ; Coolidge C ; Corris M ; Dachy M ; Darboven H ; Debord G ; Derrida J ; Dibbets J ; Dienst HG ; Dienst RG ; Dotremont C ; Dworkin C ; Ehrenberg F ; Erlhoff M ; Eshleman C ; Feldman M ; Fiore Q ; Finlay IH ; Friedman K ; Fuller B ; Gaard F ; Gaglione B ; General Idea ; Gerz J ; Gins M ; Glass P ; Graham D ; Groh K ; Group Material ; Haacke H ; Hansen A ; Heartfeld J ; Hendricks J ; Herman J ; Higgins D ; Holzer J ; Home S ; Horn R ; Horn S ; Huebler D ; Hundertmark A ; Indiana R ; Jirgens K ; Johnson R ; Kaprow A ; Kempton K ; Klauke J ; Knizak M ; Kosuth J ; Kristeva J ; Kruger B ; Laszlo C ; LeWitt S ; Lippard L ; Loeffler CE ; Lum K ; Maciunas G ; Mack H ; Manzoni P ; Matta-Clark G ; Mayor D ; Medalla D ; Mekas J ; Milazo R ; Monk M ; Morris M ; Muntadas A ; Nadin P ; Nations O ; Nauman B ; Nova GL ; Oldenburg C ; Padin C ; Paz O ; Pelieu C ; Perneczky G ; Petasz P ; Phillpot C ; Piper A ; Pozzi L ; Prince R ; Queneau R ; Raman E ; Randall M ; Rauschenberg R ; Reich S ; Ricard R ; Rollins T ; Rietman J ; Rose B ; Roth D ; Rothenberg J ; Ruscha E ; Sanders E ; Sarenco ; Saroyan A ; Schneemann C ; Schraenen G ; Schor M ; Schwartz D ; Shimamoto S ; Siegelaub S ; Sky A ; Smithson R ; Sondheim A ; Spatola A ; Spector B ; Spiegelman A ; Steadman P ; Spoerri D ; Tavenner P ; Tinguely J ; Trasov V ; Tremlett D ; Tunga ; Tuttle R ; Vigo EA ; Vostell W ; DeVree P ; DeVries H ; Waldman A ; Weaver M ; Weiner H ; Weiner L ; Wilke H ; Willats S ; Young L ; Zurbrugg N ; Tompkins B., 2011
Item
Identifier: CC-53252-74404
Scope and Contents
Clive Phillpot coined the term "magazine art" as "art conceived specifically for magazine content, and, therefore, art which is realized only when the magazine itself has been commposed and printed. Alexander Proven Amaxon.com: Allen's book is a great chronicle of the rise and fall of artists' magazines--among them Aspen, 0 to 9, Avalanche, Art-Rite, FILE, and Real Life--that, in the 60s, 70s, and 80s, provided a space for artists to colonize the discourse of the art world, and do so in their own voices. Artists like Robert Smithson, Dan Graham, Mel Bochner, and Vito Acconci created magazine art where criticism had once been, emphasizing the materiality of language, denying its ability to communicate. (Graham's "Schema," a site-specific instructional piece published in a variety of magazines in the 60s and 70s, is a paramount example; it consisted of a template to be completed by the editor, in accordance with the magazine's typography, design, and layout, producing a new work in...
Dates:
2011
August / Greenwood, Nigel ; Acconci V ; Beuys J ; Finlay IH ; Wilson R., 1993
Item
Identifier: CC-29970-31361
Dates:
1993